Kayla Cody’s “Swords, Lights and Nuts” isn’t your typical “Nutcracker” story
Meet Our One Act playwrights: Kayla Cody's "Swords, Lights and Nuts"
This isn't your typical "Nutcracker" story.
We asked our One Act writers and directors to share a bit about their works with us. Here’s writer/director Kayla Cody on “Swords, Lights and Nuts.”
I’ve always loved telling stories and making my own worlds with a paper and pencil and my voice. I’ve always loved books and the way I could get sucked into the story. When I write plays, hopefully I can make a story the audience will get sucked into using my favorite way of writing: dialogue!
I decided to do a “Nutcracker” story because I always wondered what “The Nutcracker” was supposed to be about. Then my sister had the idea that “Hey, what if the (first) battle with the mice to big of a deal, and Clara gets taken?” That’s what I went off of. I decided a play would be a good way to adapt it because we’re used to seeing the ballet version. This way keeps it on a stage.
Since I’ve moved a lot, I’ve done theater all over the country, and I’m constantly writing and directing plays and my sisters and I do together. Recently I’ve been in four plays with Asheville Performing Arts Academy, and this summer I directed a performance of my play “A Midsummer’s Doughnut” at a family reunion. “Swords, Lights and Nuts” is my first time directing a show that is open to the public!
I hope to learn about how to direct a group of people in a way that makes everyone feel good and gets amazing things done together.