youth theater

Call for directors

Want to get involved? We're looking for directors for our 2024 season!

The Moppets are looking for creative, dedicated directors who share our enthusiasm for nurturing young talent and bringing classical productions to life in our 2024 season!

We have been making youth theater for more than 10 years, and we are committed to continuing to provide a platform for young theater enthusiasts to learn and grow as performers and humans. Our productions are a testament to the creativity and work ethic of our students, and we take great pride in delivering quality productions to the Asheville community.

The Moppets understand the importance of a great director and mentor, and we believe in paying artists a living wage. Compensation for our directors ranges from $200 for a One Act to $1,250 for a summer production.

If you’re interested in working with the Moppets in 2024, please fill out our interest form to help us get to know you better. Once you’ve completed the form, our staff will review your submission and get in touch to discuss potential opportunities. We’re eager to connect with talented directors who can inspire our students and bring a fresh perspective to our upcoming season.

“Romeo & Juliet: In Memoriam” cast announcement

Actors in "Romeo & Juliet: In Memoriam" pose against a black background

Meet the cast of "Romeo & Juliet: In Memoriam"


Front row, l-r: Henry Worley, Aidan Short, Maeve Cort, Charlie Mae and Niya Hromada.
Back row, l-r: Lucia Hess, Milo Norby, Alex McKay, Phineas Price, and Graham Esmon

The Moppets are thrilled to announce the cast of the upcoming world premiere of “Romeo & Juliet: In Memoriam”! 

  • Henry Worley as Tybalt
  • Maeve Cort at Mercutio
  • Aidan Short as Benvolio
  • Niya Hromada as Nurse
  • Alex McKay as Montague
  • Charlie Mae as Capulet
  • Graham Esmon as Friar Laurence
  • Milo Norby, Phin Price and Lucia Hess as Chorus

Adapted by Elias Hamilton and Ronnie Z. Nielsen, “Romeo & Juliet: In Memoriam” brings a fresh perspective to Shakespeare’s classic tragedy, transporting audiences to the solemn and emotional setting of the star-crossed lovers’ funeral.

See Shakespeare’s iconic tragedy in a fresh light as the Moppets explore themes of love, loss and reconciliation in a new way.

“Romeo and Juliet: In Memoriam” opens Friday, October 13, at Attic Salt Theater.

ROMEO & JULIET: IN MEMORIAM

7pm Friday, October 13

11am and 7pm Saturday, October 14

7pm Friday, October 20

11am and 7pm Saturday, October 21

Help the Moppets plan the 2024 season

Help us plan our 2024 season!

The Moppets staff is working to plan the 2024 season, and we’d like your input!

Our good pal Skyler Goff tells us he’d like to adapt a new show for next season, but he’s having trouble deciding exactly which story he’d like to tell. (Classic Skyler conundrum.) He gave us a list of approximately 11,726 ideas, and we’ve narrowed it down to five.

Use the form below to tell us what you’d like to see next summer! We’ll tally the votes on Monday, August 21, and let Skyler know what to start writing.

(Click here if the form isn’t showing up.)

Kayla Cody’s “Swords, Lights and Nuts” isn’t your typical “Nutcracker” story

Meet Our One Act playwrights: Kayla Cody's "Swords, Lights and Nuts"

This isn't your typical "Nutcracker" story.

We asked our One Act writers and directors to share a bit about their works with us. Here’s writer/director Kayla Cody on “Swords, Lights and Nuts.”

I’ve always loved telling stories and making my own worlds with a paper and pencil and my voice. I’ve always loved books and the way I could get sucked into the story. When I write plays, hopefully I can make a story the audience will get sucked into using my favorite way of writing: dialogue!

I decided to do a “Nutcracker” story because I always wondered what “The Nutcracker” was supposed to be about. Then my sister had the idea that “Hey, what if the (first) battle with the mice to big of a deal, and Clara gets taken?” That’s what I went off of. I decided a play would be a good way to adapt it because we’re used to seeing the ballet version. This way keeps it on a stage. 

Since I’ve moved a lot, I’ve done theater all over the country, and I’m constantly writing and directing plays and my sisters and I do together. Recently I’ve been in four plays with Asheville Performing Arts Academy, and this summer I directed a performance of my play “A Midsummer’s Doughnut” at a family reunion. “Swords, Lights and Nuts” is my first time directing a show that is open to the public!

I hope to learn about how to direct a group of people in a way that makes everyone feel good and gets amazing things done together.

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Graham Esmon looks to the future in Kurt Vonnegut’s “2BR02B”

Meet Our One Act playwrights: Graham Esmon's take on "2BR02B"

Everything is swell in Vonnegut's "2BR02B." Or is it?

We asked our One Act writers and directors to share a bit about their works with us. Here’s writer/director Graham Esmon on adapting Kurt Vonnegut’s “2BR02B.”

I very much enjoy Kurt Vonnegut’s distinct writing style. My favorite book of his is “Slaughterhouse 5.” I chose to put Vonnegut’s “2BR02B” to stage as it is a simple but extremely effective story that shows how a seeming utopia never functions for the needs or wishes of everyone under it. It also has a small cast, which is good for a One Act.

I have previously adapted and directing a short film version of “August Heat” by WF Harvey for the Moppets 2021 horror/comedy anthology show. I have written narratives for certain classes as well. This is my first play.

Graham Esmon has been a Moppet for five years. They previously directed the short film “August Heat” with the Moppets. Their pastimes include: magnets.

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Hunter Miyan puts a new twist on a class tale in “A Holiday Song”

Meet Our One Act playwrights: Hunter Miyan's "A Holiday Song"

A new twist on a classic holiday tale

We asked our One Act writers and directors to share a bit about their works with us. Here’s writer/director Hunter Miyan on “A Holiday Song.”

I was inspired to adapt “A Christmas Carol” because I’ve always loved watching all the different movie adaptations of it. I figured it would be fun to see what I would do with the story!

I have written other stories before, but this is my first play. I’m glad it came out so well! I love writing because it’s a way that I can express all the ideas and stories in my head and share them with other people.

Hunter Miyan is a new Moppet and a theater veteran! Hunter, 14, has been acting since age 8, including roles in “Peter Pan,” “Aladdin” and “The Emperor’s New Hair.” Our One Act Festival will be Hunter’s directorial debut!

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Meet Phin, our Moppet of the Month!

Phineas Price has range. He’s played everyone from Murderer #1 in “Richard III” to Bob Cratchit in “A Christmas Carol” on the Moppets stage since joining us in 2021! He tells us his favorite Moppets role was Fluellen in “Henry V,” and his all-time favorite was playing Ponyboy in “The Outsiders.” (We told you he has range!)

Phin hopes to someday join the ranks of Moppets royalty: He wants to play a king. We think that’s totally realistic — he’s already the president of his eighth-grade class!

When he’s not on stage, Phin likes to make spray-paint art, play basketball, and watch TV while eating grilled cheese sandwiches and tomato soup.

You can catch Phin on stage next in his school’s production of “Appropriate Audience Behavior.”

An open call for submissions from young playwrights

The Montford Moppets Youth Shakespeare Company is seeking submissions for our inaugural One Act Festival!
A selection of 3 to 5 finalists will be chosen for production by our judging panel and Artistic Director Ashleigh Goff. Productions will be student-directed, under the supervision of Moppets staff.

GUIDELINES

We are seeking works by playwrights between the ages of 10 and 18.

One Acts must be original works or adaptations of works in the public domain.

All submissions must be written in English.

Running time should be no more than 20 minutes (roughly 20 pages)

Works should require a cast of 7 or fewer actors with minimal staging.

Submissions must be PG-13 or milder.

Contact information should be on the cover page of the script. The author’s name should not appear anywhere else on the script.

IMPORTANT DATES

Submission deadline: February 14
Decision notification: February 21
Rehearsals: March 20 – May 11
Performances: May 12-13

Meet Sam, our Moppet of the Month!

Sam Cintron is a freshman at the School of Inquiry & Life Sciences at Asheville, and he has been doing theatre since he was much younger. He performed in his first Moppets show last spring, in our production of “Tartuffe” as the siblings Damis and Marian — still his favorite role(s)! He has also performed as Exeter in “Henry V,” and he is currently Scrooge in the Moppets’ annual production of “A Christmas Carol.”

Sam dreams of one day playing the lead in “Macbeth,” his favorite Shakespeare production. Aside from theatre, Sam enjoys writing, producing, and listening to many different genres of music, hanging out with friends, and thinking deep thoughts (sometimes). 

Meet Mia, our Moppet of the Month!

Sixth-grade homeschooler Mia Saidi has been a Moppet since last summer, when she played King Edward IV and Prince Edward V in “Richard III.” Her favorite role with the Moppets was in “Tartuffe” earlier this year. 

Dorine “was a really fun character,” Mia says, “because she was a little bit sassy and a little bit sarcastic but very loving. Like me!”

Mia would love to have a role in a big Broadway production someday. She especially likes “Hamilton” and “Little Shop of Horrors.”

When she’s not on stage, Mia likes to read, make art and play the piano. She also likes to hang out with her friends and play with her cat. And sometimes you can find her hiding under a pile of blankets in her room!

Mia most recently appeared on the Moppets stage as Bedford and Lord Constable in “Henry V.”